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Wednesday, November 28, 2012

MIX UP YOUR ACTING TRAINING


A quick thought... when you find an acting class you enjoy, it's tempting to stay there forever. You make friends, and it turns into a safe place to go every week, some classes begin to feel almost "cult" ish. When you actually talk to some actors about their acting class, they sound like...
"Oh my god, she's the best, I just feel so safe and warm and I've grown so much here... and the other students are the best... I've been their 7 years, and I love it!". Remember however, that comfort is not necessarily good... and you joined an acting class... not a street gang! You will not be killed if you decide to leave and join another program. Point is, you need to make sure that you are being challenged... pushed. Once you realize you're not learning enough, then move onto another program.. even if you've been there for a couple years and have a great relationship with the teacher and class members. It's business, not personal, you can always come back.

Especially if you are in a city like Los Angeles, there is some crazy talent in the this town you can learn from... why not try and soak in a variety of methods, approaches, etc. Take what works for you and move on. I'm not suggesting you bop around from class to class every couple of months, or even years. Simply be honest with yourself about whether or not your acting ability is being enhanced, or if you're are just going through the motions and feeling nice.

If you want to treat your scene study class like a "feel good with my actor friends" club, then that's fine... just push yourself via specific, short term workshops then. (improv, commercial technique etc.)
- Scott
Any Questions?  Feel free to ask.


Friday, November 16, 2012

EDITING YOUR ACTING REEL - REPOST


I get asked about reels a lot, so I decided to update it a bit and repost.  I hope you find it useful.

I was an assistant editor when AVID (the first digital editing system) was born, and now see many video monkeys with Final Cut Pro on their lap tops claiming to be "An Editor". I love that technology gives everyone access, but you can't download talent, timing, or skill from the Apple store. Luckily, when it comes to editing your acting reel, you can take a creative lead on how it should flow and not be too dependent on the editor if you don’t want to be. Here are some basic rules to follow.

1. GET A GOOD COPY of the shows/ films/ projects you are in. Be persistent, get phone #’s on the shoot of everyone who might be able to help you later in case you run into trouble getting a copy (keep you call sheet). This sounds obvious, but the idea is to think ahead… and get EVERYTHING, even if you think it might be crap… you never know what an agent or friend might think of it later on.

2. DO SOME COLOR CORRECTION if the clip looks old or flat. Final Cut has wonderful Color Correction abilities. I fear that unless you ask the editing service you are working with, they probably don’t take the time to go in and do it. If you are editing yourself it’s pretty simple, just keep it basic. Contrast, brightness, and chroma… play around with those 3 things and you’ll find the quality of your video improve greatly.

3. KEEP YOUR ACTING REEL SHORT. Shorter is better! This means the clips as well as the reel overall. Attention spans are nil out there, and most casting directors just want a taste of what you can do… so don’t linger too long on any one clip… keep it moving!

4. ONE ACTING REEL is often better then 2 or 3. I see a lot of “Comedy Reel”, “Theatrical Reel”, “Commercial Reel”. Your best bet in my opinion is to make a “Best of” reel and roll with that… especially when posting on a casting site. Eventually you might want to categorize everything, but this is only when you have very strong work in each genre.

5. NO CLASS WORK unless it’s shot in such a way it looks like a short film. It just looks amateur… the sound is usually terrible, and people probably won’t appreciate your acting, rather they’ll say “Oh, they haven’t done any real gigs yet”. This applies to most theater work as well.

6. IF YOU ONLY HAVE 1 OR 2 THINGS, SHOULD YOU MAKE A REEL? I say YES… as long as it’s solid stuff.

7. DON’T BE REPEATITIVE. I have a friend who gets cast as a nurse a lot. She had 3 or 4 clips of her being a nurse spread out on her reel, and the problem was I felt like I was watching “the same thing only different” after a while. Just pick your best one or two pieces in a certain genre, put them back to back, and leave it at that.

8. GET FEEDBACK. Once you cut it together, bounce it off of at least 5 people who’s opinion you respect and see what the feedback is… especially when it comes to the order and length.

Finally, I would say consider learning to edit yourself, even if it’s just to do your reel. You may find you have a knack for it, and this may come in handy for the short film you plan to do, or even to tighten up scenes you are in.

I leave you now with a highlight from my commercial editing days, sorry I can’t resist... enjoy :)




- Scott

Have a question?  Feel free to ask...

Tuesday, November 6, 2012

Hand Model Tantrum

Recently I was shooting a hand model holding and iphone and using an App.  To protect all involved, I won't mention the name of the client or the actor.  For those of you who aren't aware, hand modeling is no easy job.  The camera is in close-up, so every movement is critical.  You're often asked to bend your arm or body in weird positions for whatever reason, and although your hand sits nicely in frame, the rest of your body might be surrounded by lights and C-stands etc.  Having said that, when a production hires a hand-model, they expect them to be professional and handle these realities.

So we're shooting this app, we have our actor... let's call him Doug... sitting on an apple box, one hand holding the phone around a rigging (that keeps the phone still) wearing a black shroud (like an executioners mask) so his face doesn't reflect into camera, and trying to hit buttons with his other hand.
There was a little tension on the set in figuring out what exactly to shoot as this App had many screens and functions, etc., but this is to be expected.

Well, without getting too specific, a couple hours into shooting when Doug was asked to do something he flew into a tantrum.  He claimed he was being disrespected, spoken "at", announced he didn't need the money, said he's worked on a lot of "Big Stuff" and wasn't treated this way, and finally announced he was leaving!  Needless to say, this took me by surprise.  Apparently it wasn't what I was saying to him, I had a client nearby that was giving me feedback (not all positive) that Doug overheard, plus my client had said something directly to Doug that set him off.  It was subtle at the time, but clearly the straw that broke the camels back as they say.

At the end of the day, Doug was able to calm down, we talked it out, and we shot another hour without a problem.. however the reason I'm sharing this with you is that he did so many things wrong in how he handled the situation, I wanted to blog about this so some of you may find some value in it.
Granted, most of you are saying "I'd never do that", but perhaps you will be in a situation you are uncomfortable with.

What Doug needed to consider before he freaked out was that this was a major client represented by a big advertising agency.  The agency producer on the job works all over the place, as do I, as does my producer.  In a nut shell, we all work on "Big Things"... and even though he did finally finish the day up with us, do you think we'll ever work with him again if we can help it?  I would say the chances are slim... I've got enough to worry about without dealing with a primadonna actor.  In other words, this dude burned multiple bridges that day.

Having said that, was he wrong to speak up?  NO.  In fact I want an actor to let me know if they are uncomfortable or confused.  Nothing wrong with that, but to go into a tail spin tantrum is not the way to do it.  All Doug had to do was say "Hey guys, I need a break here" then pull me aside and explain what he was feeling.  Instead he made a scene... and pulled the ultimate card... HE THREATENED TO LEAVE!  Why would you do that right off the bat?  Not cool.  Now lucky for him he didn't leave or the damage would have been even greater, not for us, but for him.  We would have figured something out, but his agent would have gotten the riot act from the agency producer.  Because Doug did finish the day, no phone call was made.

In the end it all worked out, and I hope Doug will handle things differently in the future.  He wasn't a bad guy, but perhaps a bit to sensitive and exercised some poor judgement.

SO, if you feel you're going to bug out, take an inventory of how many bridges you may torch in the process.  Even doing a rinky dink, freebee, student film you may be making valuable future connections, you never know.  Also ask yourself, "Have I exhausted all other means to solve this problem" before you threaten something like "walking out".  By just stepping away from the camera you are sending a message... and often a conversation will get you what you need.

2012 UPDATE

So I had pretty much abandon this blog and logged on this morning with the intention of deleting it.  However to my surprise, it actually still gets quite a few visits for a blog set adrift.  In light of this, I decided to update it a bit and try to add some more to it when I find the time.

In a nut shell, the original blog was created to tie into my photography business which was nothing but me passing the time while the economy worked itself out back in 09.  I enjoyed the work, but once my directing career started up again I haven't looked back... thus the headshot photography and this blog were put on the back back burner.  

Anyway, I'm glad people seem to get something out of this blog and will continue to update when I can. Good luck out there.
- Scott